Showing posts with label mewithoutYou. Show all posts
Showing posts with label mewithoutYou. Show all posts

Monday, August 24, 2009

Better late than never concert reflection

I had a dream last week that after the mewithoutYou concert in Covington Michael and Aaron Weiss came over to Drew and I and thanked us for coming. 

I checked with Drew and that didn't actually happened, but it was a great show nevertheless. 

Damien Jurado seemed to not be especially amused playing after the Psalters, but his set alone was the worth the drive.  "Ohio" remains one of my favorite songs and I was very glad he played it.

I am not against smoking, but I am against smoking inside a crowded music venue. Its mostly just rude, especially towards pregnant women. Michael Weiss concurred. 

The Mad Hatter is a horrible venue and I hope a band I want to see never plays there again. 

The Weiss Bros. put on a great show sans the rest of the band. The whole schtick was very sing-songy but that isn't undesirable in my opinion.  It was my second time seeing Aaron perform but my first with Michael and I felt the sibling chemistry helped carry the show. 

It saddens me that I never got a chance to see the mewithoutYou that I fell in love with: unabashed, stream-of-conscious emoting/spiritual musing over chaotic guitar riffs. But I'm also glad the Weiss Bros. aren't living in the past. 

Sunday, July 12, 2009

I was there!

Aaron Weiss at The930 from Sojourn/The 930 Art Center on Vimeo.


Here is the entirety of Aaron Weiss's solo performance that kicked off Cultivate Beauty Month at Sojourn. Thanks Drew for posting this unforgettable show!

Saturday, June 27, 2009

mewithoutYou "A Stick, a Carrot, & a String"

Around a month ago I posted this entry, about my favorite track from mewithoutYou's most recent album.

Anyway, I have listened to the album pretty consistently since then and I have been repeatedly drawn to the track "A Stick, a Carrot, & a String."

The song begins, oddly enough, with the conversation of the animals in the stable where Jesus is born. In traditional Christmas carol fashion they pledge their service in some way, with the exception of a goat, who feels inadequate to sing praises to the child-king.

The response is a beautiful picture of grace.

"there's a sign on the barn
in the cabbage town
"when the rain picks up
and the sun goes down
sinners, come inside
with no money, come and buy

no clever talk, nor a gift to bring
requires our lowly, lovely king
come now empty handed, you don't need anything"

Next the song makes an interesting turn to the Garden of Gethseneme, where Jesus contemplates his impending death.

"and the night was cool
and clear as glass
with the sneaking snake in the garden grass
deep cried out to deep
the disciples fast asleep
and the snake perked up
when he heard You ask
'if you're willing that
this cup might pass
we could find our way back home
maybe start a family all our own'
'but does not the Father guide the Son?
not my will, but yours be done.
what else here to do?
what else me, but You?'
and the snake who'd held the world
a stick, a carrot and a string
was crushed beneath the foot
of your not wanting anything"

My friend Gabriel often observes that everything depends on how you tell the story, and this seems to be exactly what's going on here. Like Marx, Aaron Weiss seems to be defining the human dilemma in primarily economic terms. The serpent of Genesis 3 is pictured with Looney Toon esque imagery: dangling an oh-so-tempting carrot on a string just out of the reach of greedy humanity.  However, Jesus' desire to please the Father coupled with his divine contentment fulfills the protoeuangelion of Genesis 3:15, effectively defeating the power of the serpent.  Essentially, Jesus' selflessness on the cross gives humanity an alternative way to to live. 

Although these things are true to a degree, it is extremely problematic to both (1) reduce sin to mere greed and (2) to see the crucifixion as being exclusively an act of selflessness.  Human selfishness is certainly a product of the fall, but it is one of many symptoms of heart with a larger sin problem.  Greed is just one manifestation of idolatry, which can be understood to be placing one's ultimate allegiance or affection in any person or thing other than God.  Likewise, Jesus' atonement on the cross is multifaceted.  It certainly was the most selfless act in human history, but the Bible also speaks of Jesus conquering sin on the cross, and bearing the Father's just punishment for our sins.  Colossians 2:8-15 is one amazing passage that addresses both of these aspects! 

As followers of Christ we certainly are motivated to live selfless lives that reject the materialism that is rampant in our culture, but this is an implication of the gospel story- not the whole thing.  

Wednesday, May 20, 2009


Yesterday mewithoutYou released their fourth LP, it's all crazy! it's all false! it's all a dream! it's alright!

The most compelling track on the album is "the Angel of Death came to David's room", a biblical dialogue that's equal parts negro spiritual and middle eastern folk ballad. The lyrics appear as follows in the album booklet:

"ANGEL: Friends, it's time to go
DAVID: Angel, no, I think you've come too soon!
ANGEL: Sorry, friend, now put your hand in mine..
DAVID: but good Angel, don't I get a warning sign before it's my time to go?
ANGEL: a sign? come now David? where's your Grandma gone? and where's your Grandpa gone? their time came to go
DAVID: but I slew Goliath with the sling and stone! it's not my time to go
ANGEL: and he'll be waiting for you when we get back home it's time to go - come now David! Where's you're [sic] Mama gone? and where've all you Aunts and Uncles gone? their time came to go
DAVID: can I tell Solomon the things I've learned before it's my time to go?
ANGEL: I'm sorry, friend, that none of my concern, it's time to go - come now David! Where's Uriah gone, stranded on the battlefield, the troops withdrawn? his time to go come now, David! where's Bathsheba gone? and where've your binoculars and rooftops gone? and the unexpected Baby-from-the-bath-night? their time came to go

Come now, David!
Where's everybody going?"

In many ways, this songs speaks for itself and demands little commentary. However, it almost seems that Aaron Weiss has shifted from inclusivism to full blown pluralism in the line "he'll be waiting for you when we get back home. " I know of very few theologians of who would suggest that David, the allbeit sinful but still anointed leader of God's people, faced the same eternal fate as Goliath, the enemy of God' people whose head is crushed by God's annointed one (cf. Graeme Goldsworthy's Gospel and Kingdom).

Nevertheless, this song serves as a haunting reminder of the brevity of life and the impartiality of death.